This week The Disney company made news by introducing an LGBTQ sub-plot in its remake of Beauty and the Beast. They also are placing their first gay kiss between two animated characters. This is shocking for many Disney lovers. As someone who respects Disney’s creativity but won’t sell an organ on eBay to make the annual pilgrimage, I find it not shocking but expected. Disney has always told their fairy tales in a way that reflects culture rather than transcends culture. Most of the stories Disney tells are of reflecting our culture’s obsession with romantic love. The answer to the problem every character faces is not the proper order of love but in the right kind of love. The heart of every princess wants to find true love usually in the form of romantic love.
C.S. Lewis called Christianity a true myth. He came to faith through his friend J.R.R. Tolkien’s explanation of the gospel as the story behind every story. Lewis said “Christianity is both a myth and a fact. It’s unique. It’s the true myth.” Disney has always dealt in the currency of fairy tales, in the happily ever after. Every story Disney tells has the same framework we see in the Bible. In the Bible, we see the structure every good story has Creation, Fall, Redemption and Restoration. In Cinderella, for example, we see Cinderella’s perfect world, followed by the death of her mother, the redemption through her Fairy Godmother and restoration with the prince and happily ever after. Our hearts long for redemption and restoration. This storyline resonates with us because we see ourselves as Cinderella in a world full of Step-mothers. We instinctively long for Redemption. The problem with Disney is their idea of love is usually reflective of culture rather than transcending culture or as we would call it otherworldly. To be fair Disney has produced movies that speak to the longing of properly ordered love in movies like Frozen and Up.